by Dave Pasquantonio
Congratulations—you finished your novel! You crafted nail-biting tension and perfect character arcs. You killed darlings and kept reader promises. And that ending? It sings. You’re done!
But wait—93,827 words? Uh-oh. You really wanted to come in under 90K. And that last editing pass was thorough. You killed off three secondary characters, consolidated scenes, and took out those boring pages where Wilhelm and Gene talked about that time they saw the moose. There’s nothing left to cut!
Or is there? Continue reading
discussion questions prepared by Kelly Carey
Neal Shusterman’s novel Challenger Deep is a reality-bending study of one teenage boy’s struggle with mental illness. By studying Shusterman’s novel, writers can explore the use of an unreliable narrator, consider the complexity of managing two different plot lines, and examine the methods Shusterman employs to write accurately and sensitively about mental health.
Use the discussion questions on your own or with a book group to investigate Challenger Deep. As you consider each question, take note of how your own manuscripts apply Shusterman’s methods. Continue reading
by Allison Pottern Hoch
On September 10th, I’m moderating a panel of bookselling experts at the Writers’ Loft. I pitched this event to the Loft because, to me, the importance of bookstores and booksellers to the career of a writer is critical. Strong advocacy from bookstores can make a significant impact on the sales of a book. And writers can be relentless supports of local indies. At “Behind the Bookshelves: A Panel on Building Relationships with Bookstores” we’re going to talk about what working at a bookstore looks like, how writers and bookstores can support one another, and how their marketing efforts can work in concert. Continue reading