by Kari Allen
This spring, I drove down to South Carolina with my family. It took about 15 hours. Which was still less than the amount of time I spent driving down to the Writers’ Loft for a six-week course that I finished in April.
I have attended a bunch of Saturday workshops and craft chats at the Loft in the past, but I had never committed to a longer course. I always talked myself out if it; it always seemed like it was too much time and effort. Time that I didn’t have or couldn’t allow myself to have. Coming from central New Hampshire, it would mean hours and hours in the car, not to mention arranging childcare and figuring out my family’s schedule. But this past March, I decided to sign up for a multi-week course and gave myself one of the best gifts I could ever have as a writer. Continue reading
by Deborah Sosin
Write about your feet. Go. Ten minutes. Hairy toe knuckles, fallen arches, that painful bunion. Ugly, smelly, too big, too small. The pedicure gone wrong. The foot-fetishist boyfriend. Whatever comes to mind. Just keep the pen moving.
That’s freewriting in a nutshell. Writing without stopping—no censoring, editing, or judging. No need to fix spelling, punctuation, or grammar. No need for perfection. Simply putting pen to paper (or fingers to keyboard) is a great way to bypass resistance, procrastination, and self-criticism. Continue reading
by Erin Dionne
Last month, I blogged about cultivating objectivity during the revision process. Another crucial element to effectively revising any piece of writing is persistence.
Finishing a novel or short story or poem requires persistence, so you already have that quality. But revising one…well, that is a whole new level of commitment. Taking a closer look at our work, finding flaws and fixing them, can be discouraging. Continue reading
by Lisa Rogers
THE WRITERS’ LOFT WILL WELCOME award-winning author Jacqueline Davies on July 18 at 7:30 p.m. to chat about her creative process and tips for fellow writers. Lofter Lisa Rogers recently interviewed Ms. Davies for a sneak preview.
LR: As the author of several novels and nonfiction and fiction picture books, you must be very familiar with the mysteries of the creative process. How have you been able to unlock the key to some of those mysteries? Continue reading
by Lisa Rogers
WRITE WHAT YOU KNOW. Every writer has heard that. But what does it really mean?
Our job as writers, Kendra Levin pointed out at her June Writers’ Loft workshop, involves a bigger challenge—it’s to “write what you emotionally know.”
Levin, an executive editor at Penguin Random House and a certified life coach for writers and other creative artists, presented the workshop “Be the Hero of Your Own Writing Process” to a Loft packed to its rafters. The workshop combined visualization, instruction, and free writes designed to help participants view their characters from different perspectives; try a genre, tense, or setting contrary to their typical habits; and solidify the purpose for telling the story. Continue reading