by Cathy Stenquist
“Be proud of your place in the journey. You are not an impostor; you are the real thing. Welcome.” —Josh Funk, NESCBWI coordinator
JOSH’S WORDS JUMPSTARTED MY LEARNING for the weekend.
Lesson #1—Find a buddy.
I arrived early to park and check in. At the registration desk, I spied one of The Loft’s light blue lanyards, worn by Alice Fulgione, who greeted me with a hug. I felt like the new kid at school, latching onto a friend to feel at ease. After lunch at the MVP Lounge, we used our maps to find our classes. Continue reading
by Allison Pottern Hoch
ABOUT A MONTH BEFORE AN EVENT with a debut author, I’d get a call from them. They would be bursting with enthusiasm—and terror. They were about to get up and do…what? For how long? Would anyone be there? We would take some deep breaths together and I would answer their questions. Here are some of the most common queries:
Do people even come to book events?
How do I get people to come?
People will only come to your event if they know about it. So make sure to pick a venue/date/time that will appeal to your audience and then get the word out. Send out invites to the people you know and post flyers and promote through co-sponsors and social media to the ones you don’t.
Should I dress-up?
Wear something you feel good and comfortable in, with an eye towards looking professional–unless you’re dressing to match your book. I’ve worked with authors dressed as pirates, lighthouses, you name it. That works too! Continue reading
by Kelly Carey
Pam Muñoz Ryan’s middle-grade novel Echo weaves three historical fiction stories together with a flick of fairy tale magic. A witch’s curse and a magic harmonica travel from Nazi Germany to Depression-era Pennsylvania and to Southern California amidst World War II before colliding in New York City. Writers can use Ryan’s novel as a mentor text for exploring the tools and pacing needed to bring different story threads together, evaluating the balance between story and history in a historical fiction novel, and examining how endings affect a reader’s experience.
Use the discussion questions on your own or with a book group to investigate Echo. As you consider each question, take note of how your own manuscripts apply Ryan’s methods. Continue reading
by Erin Dionne
I FULL WELL ADMIT IT: I’m not a great writer. I’m an okay one.
But I’m a great reviser.
Having the ability to revise, to not be precious about your words so that you can clearly execute your book’s idea, is one of the single best skills you can cultivate as an author. Strong revision skills make your writing go from good to great, and so on.
Being a strong reviser requires three things: objectivity, persistence, and desire to create the best story you can. Let’s take a closer look at each: Continue reading
by Laura Woollett, PMP
NOVELISTS ARE OFTEN TOLD that the way to get the job done is through many hours of “butt in chair.” There’s truth to this. You can’t write a novel without writing one word at a time. But where to start? And how to gain momentum, especially when you’re just beginning a new project?
Try thinking about the process of writing a novel in a different way—like a runner. Novice runners sometimes follow a plan called the “couch to 5K,” which allows for someone who is pretty sedentary to work their way up to running a 5K race. Writing is similar in many ways to running. It’s REALLY hard to run a race only days after deciding to do it, especially if you’ve never run any farther than from your car to Dunkin’ Donuts on a cold morning. (Guilty!) In the same way, it’s REALLY hard to write a novel without building your writing muscles and stamina over time.