by Dave Pasquantonio
Sometimes the words come easily—and sometimes they don’t. We writers know exactly what it feels like to want to write more, to want to write faster, but the muse is not cooperating.
But we can’t always blame the muse. There are actions we writers can take to make the words flow faster.
Anna Staniszewski led a recent craft chat at The Writers’ Loft, “Write Faster—Write More!” She gave the enthusiastic attendees exactly what they were looking for—methods and insights to help us get those words out. Continue reading
by Erin Dionne
My most recent post was about writing the best story you possibly can. This one deals with another element of the revision process that I find really important: finding—and using—the “core” of your story to shape your revision.
What is the core?
The core of your story is its heart. It’s the one thing that holds your book together and provides your unique perspective on the world. Without it, your book would fall apart. Continue reading
by Sandra J. Budiansky
Is there anything better than coming up with a brilliant idea and then sitting down and writing a best seller? Probably not, but that doesn’t usually happen. Many writers struggle to come up with an interesting book topic. On October 11th, Charlesbridge editor Karen Boss presented the Writers’ Loft workshop Idea Development, and When To Let Go, and it led to a lively and inspiring conversation. Continue reading
by Allison Pottern Hoch
If you’ve published a book or are in the querying trenches, you know what it takes to promote your book to an agent or editor. But once you’re ready to market that book, how do you convince a venue to take you on for an event? Remember the four P’s: professionalism, politeness, preparation, and patience. Continue reading
by Erin Dionne
My previous blog posts have focused on persistence and objectivity. Today, I want to cover another necessary ingredient in the revision process: the desire to create the best story possible.
Now, I know you want to write a good book, short story, or poem. And you’re putting in the time and effort to do so. You’ve crafted your characters, developed a plot that moves along at a good pace, and figured out where your trouble spots are. You’re in love with what you’ve created—and you should be.
by Wendy M. McDonald
From the back cover: When Frannie is desperate to get the attention of her crush, her fabulous (and gay) best friend Marcus suggests that Frannie chat with him online. Too bad Frannie’s terrified. She won’t type a word without Marcus’s help.
In the chat room, Marcus and Jeffrey hit it off. But the more Marcus writes, the more he’s convinced that Jeffrey is falling for him, not Frannie. Whose romance is this anyway?
If you’re already familiar with the basic plot of a Cyrano de Bergerac story, set your expectations aside. Yes, M or F? hits all the right beats, but Lisa Papademetriou and Chris Tebbetts add several of their own. Continue reading
by Dave Pasquantonio
Congratulations—you finished your novel! You crafted nail-biting tension and perfect character arcs. You killed darlings and kept reader promises. And that ending? It sings. You’re done!
But wait—93,827 words? Uh-oh. You really wanted to come in under 90K. And that last editing pass was thorough. You killed off three secondary characters, consolidated scenes, and took out those boring pages where Wilhelm and Gene talked about that time they saw the moose. There’s nothing left to cut!
Or is there? Continue reading